Opteka 72mm 0.4X HD2 Large Element Fisheye Lens for Professional Video Camcorders

Posted on | October 21, 2009 | No Comments

Opteka Titanium Series 62mm 0.3X HD Super Fisheye Lens for Sony HVR-V1U Professional Video Camcorders –

Opteka 72mm 0.4X HD2 Large Element Fisheye Lens for Professional Video Camcorders An essential tool for extreme sports and dramatic action shooters. The 0.4X Ultra Fisheye Adapter offers an extreme fisheye effect and a high degree of barrel distortion. It exaggerates depth by pulling nearby objects closer and causing distant objects to recede into the background. Advances in high-index / low-dispersion optical glasses, new barrel materials, and exotic anti-reflection coatings, along with the latest in computer-aided-design / computer-aided-manufacturing, are combined to produce lenses of unprecedented quality. Diamond-cut from crystal-clear, water-white optical glass, Opteka lenses are ground and polished to a precise precision. Because all Opteka lenses are designed and manufactured with the highest possible degree of consistency, you can swap lenses mid-shoot with no discernable variation in color or effect. The unprecedented purity, color saturation and repeatability of Opteka lenses virtually eliminate the need for lab color timing corrections caused by other lenses. This puts more creative control where it belongs – in your hands. Opteka lenses stand up to the most rigorous demands on the stage and on location. Opteka’s hard anti-reflective (AR) coating offers protection specially formulated to resist flaking, peeling and scratching. This proprietary AR coating also reduces light loss and flare to less than 1% per surface, compared to untreated glass which has a light loss of 4% per surface. Opteka lenses allow you to shoot with total confidence!

JVC’s Picsio pocket camcorder does fake 1080p for a real $200 (Engadget)
We already saw the Picsio GC-FM1’s splashy debut for Japan, but now JVC is announcing the camera for a Stateside release. Its advertised “1080p” resolution is actually 1440 x 1080 at 30 fps, while the 1280 x 720 mode at 60 fps sounds much more enticing to us, and it’s all recorded to SD card (none is included) as H.264 .MOV files. There’s really not a lot to set the camera apart in a sea of …

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